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Redefining Transitions film project Feature

Personal projects or passion projects as we call them , are vital to us as filmmakers.They remind us why we make films after all,so every year we try to make time, step back from our client work and dedicate it to our craft. THis happens either by volunteering to projects that inspire us or creating our own. This helps us grow our skill , try new things, experiment with new technics while filming or in post production.

Redefining Transitions is a short documentary film titled "Redefining Transitions" with Dimitris Liossis , a mixed media Artist, presenting his latest Art project.

Dimitris built up a wooden skare bowl and used its surface as a canvass for his new painting.  This ramp as an art piece has a duality and a function. It wil actually be the main theme of a gallery 

where people would skate on it as well.

Dimitris  paintings were inspired by the Renaissance masterpieces, the fresco paintings and their architectural perspective which are unifying the artwork with the physical objects in the surroundings.

For the painting, he first used wood paint for the background in order to produce a nice flat surface to work with, then sprayed paints for the 3D effects and shadows, and then finished the piece using  markers for some sharp lines and details.

 

We feel proud that we were part of this as its the first time in Greece that an artist exposes street art combined with classicism and skateboarding

in a gallery where people can interact with it, either as skaters or as spectactors or simply as art enthusiasts.

Dimitris is a very creative and nice ,easy going person to be with. He is really talented and very active. 

We are proud to be part of this great Art project of Dimitris Liossis. An art gallery-instlallation of Renaissance-Fresco style painture.

Our contribution to this project is a video filmed in the last 3 months since the artist began the construction of this Inverted skate-able dome.

This was a unique chance to tell a story of how art met skateboarding through Dimitris Liossis.

 

 

     

 

     

 

  

 

          

   

 

 

         

  

             

 

   

 

 

 

FORECASTED_DAYS

This was a personal project . Single location in order to get some directed filming, one rider (Panos Manaras) and an edit to combine regular, slow & fast motion. Four cameras and three filmers participated in this in order to cover the angles we thought were the most interesting. Personally I have been riding this ramp since day one when its was more ghetto than ghetto and now after years of reshaping and getting done better I find it very absolutely fun and beautiful. So we used Canon 5D MK2 for details (at 1080p 30p) with a 50mm, Canon 60D for action (at 720p 60fps) with Tamron 24-70mm, Canon 550D with a Samyang 8mm at 720p 60fps on a ProAim crane and I also used a Sony FS700 as main camera & for the slow motion footage (1080p at 240fps) with Sigma 70-200 2.8 and Canon 17-35mm lens. We also used a dolly called Eazy Dolly which is an amazing tool and very smooth for the majority of our shots. I used a ProAim crane in order to get some shots of the whole ramp from above and some action on the spine (icepick over to over, and some flow riding).

Quite a lot of things where also filmed on hand in order to give an edgier look on action. A note from my experience with FS700 is, its unique picture quality, dynamic field and colour depth. We didn’t use any external recorders but even with an SD card 28Mbps and 4:2:0 chroma the footage from that camera is superb. I realized it even more while colour correcting the footage.

Everything was shot on neutral-flat picture style (sharpness to -4, saturation -4, contrast -2 and colour tone to 0). I use Adobe Premiere CS5 to edit and this video was edited at 720p and 30fps. I feel that 1080p footage downscaled to 720p is somehow nicer and crisper but this is an unscientific point of view. Although in europe we use PAL system I also wanted those NTSC extra 10 frames to help on slow motion and since its uploaded on the web it doesnt even matter. Editing wise having footage from 4 cameras can get quite hard in order to decide which angles to use. ItS quite difficult to make the picture style match as all these cameras have different sensors and different lenses on them but in the end its always a nice experience taat you can learn a lot of new stuff to add to your workflow.

 

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  • Actor
  • skateboarding
  • corporate
  • youth
  • actor2
  • snowboarding
  • ankofilms
  • motocross